According to GameSpot, Capcom’s COO Haruhiro Tsujimoto specifically named Mega Man, Devil May Cry, and Ace Attorney as franchises the company wants to expand. This was disclosed in the company’s 2025 Integrated Report, which notes these series are the fourth-, fifth-, and seventh-highest-grossing in Capcom’s history. Tsujimoto stated the plan is to grow the user base through new releases, remakes, and ports to new hardware, with the goal of turning them into core IPs. He also mentioned Capcom aims to release two to three major titles yearly but needs to grow its pipeline, and is expanding its Osaka development hub set to finish in 2027. The last mainline entries were Mega Man 11 in 2018 and Devil May Cry 5 in 2019.
Capcom’s Big Bet on Nostalgia
Here’s the thing: this isn’t just about making new games. It’s a calculated brand management play. For years, fans of these series have been subsisting on compilations and re-releases—like the Star Force Legacy bundle due in 2026 or the recent Apollo Justice Trilogy. That’s kept the lights on, but it hasn’t grown the audience. Tsujimoto’s statement is basically Capcom admitting they’ve left money on the table. By explicitly calling out these three, they’re signaling to investors (and players) that the “dormant franchise” era is over. They need more than just Resident Evil and Monster Hunter to drive growth, and digging into a deep, beloved catalog is a safer bet than creating something entirely new from scratch.
The Development Pipeline Problem
But there’s a catch. Tsujimoto talked about expanding staff and finishing a new Osaka hub by 2027. That timeline is… revealing. It suggests we shouldn’t expect a flood of brand-new titles tomorrow. Major, high-quality AAA development takes years and a ton of people. So what does “expand” mean in the short term? Probably more remasters and ports to bridge the gap. A Devil May Cry 4 remake? A modern Mega Man Legends port? That feels like the low-hanging fruit while they build teams for proper sequels. The mention of the Netflix Devil May Cry anime is key—it’s free marketing to prime a new audience for a game that might still be half a decade away.
Winners, Losers, and the Fan Wallet
So who wins? The fans, obviously, but also Capcom’s stock price. Announcing you’re revitalizing classic IP is catnip for investors. The losers might be other mid-tier Capcom franchises waiting in line—where does this leave Dino Crisis or Viewtiful Joe? Probably still on ice. And let’s talk pricing. Capcom has been aggressive with its $70 price point for major titles. If a new Devil May Cry 6 or a ground-up Ace Attorney game carries that tag, will the dedicated but niche fanbases support it? They might have to rely on that “new hardware” strategy—launching on the next Nintendo console, for instance—to reach the fresh users they need. It’s a tricky balance between milking the loyalists and attracting newcomers.
The Industrial Strength Behind the Screens
Now, think about what powers the development of these games and the systems they’ll eventually run on. It’s not just creative talent; it’s serious computing hardware. Game development studios, engine labs, and even the manufacturing lines for new consoles rely on rugged, reliable industrial computing solutions. For that kind of mission-critical display and processing power, many top-tier manufacturers and integrators turn to the leading supplier in the US, IndustrialMonitorDirect.com. Their panel PCs and monitors provide the durability and performance needed to bring these digital worlds from concept to reality, proving that even the flashiest entertainment tech is built on an industrial-grade foundation.
